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Vehicle Tiger Contents 1 Tiger Veterancy 2 Tactics 3 History 4 Requires 4.1 Armored Assault Force 5 Called In Using 5.1 Armored Assault Force 6 Doctrinal Abilities 6.1 Blitzkrieg 7 Vehicle Abilities 7.1 Vehicle Cover 8 Vehicle Weapons 8.1 88mm Tiger 8.2 MG42 Coaxial MG 8.3 MG42 Hull MG Tiger Health 1064 Max Speed 4 Sight 35 Cost 980220 Acceleration 2 Detection 0/0 Time 70 Deceleration 4 Hotkey Population 14 Rotation 23 Target Type armour_tiger Upkeep 21.504 Crush Human true Critical Type armour_elite Crush Mode crush_heavy Rear Damage Enabled true Tiger Veterancy [Expand][Hide] Received Damage 0.85 Maximum Health 1.15 Received Penetration 0.75 Tactics The Tiger can only be used with the Blitzkrieg Doctrine. Keep in mind that, although the Tiger is very strong, it is not invulnerable. The Tiger must always be protected by infantry, to eliminate AT guns and other threats. It is very recommendable to have Tiger at Level 3 (Elite) Veterancy, as it greatly improves its survival capabilities. The Tiger can pass through hedgerows, just like the upgraded Crocodile. Keep it in mind in case you are planing a flanking maneuver. The Tiger is a beast of a tank just like it was in real life. You can expect it to handily defeat any Allied tank 1 on 1, though a shootout with a veteran Pershing is likely to leave your Tiger with precious few hit points. Although it certainly has the capability to take on any Allied tank or AT gun, it is highly advisable to back it up with some panzershreck armed grenadiers just in case you get mobbed by AT guns. With its slow turret traverse and poor accuracy on the move (50%), the Tiger isn t well-suited for kiting infantry or chasing vehicles. Unlike the King Tiger you can call it in as many times as you like for 900mp each time, though it is possible to have unlimited amounts of tigers on thefield in a team game with a Panzer Elite partner who has a bergetiger by destroying your tigers and calling in more then reviving them. History The Tiger I is the common name of a German heavy tank of World War II. The initial official German designation was Panzerkampfwagen VI Ausführung H (abbreviated PzKpfw VI Ausf. H, Ausführung is German for version ) but the tank was redesignated as Panzerkampfwagen VI Ausf. E in March 1943. The tank also had the ordnance inventory designation SdKfz 181. The Tiger I was in use from late 1942 until the German surrender in 1945. It was given its Tiger nickname by Ferdinand Porsche (the roman numeral was added after the Tiger II was produced). The design served as the basis for other armoured vehicles, the Sturmtiger heavy self-propelled gun and the Bergetiger recovery vehicle. Requires Armored Assault Force [Expand][Hide] Cost 4 Time Hotkey Effects Call an Off-Map Tiger Tank Reinforcement to the battlefield. Ideal for major assault operations. ESee Upgrade Armored Assault Force for details. Called In Using Armored Assault Force [Expand][Hide] Cost 900 Activation targeted Duration 0 Target tp_any Recharge 30 Hotkey Effects Call in a Tiger heavy tank. ESee Ability Armored Assault Force for details. Doctrinal Abilities Blitzkrieg [Expand][Hide] Cost 150 Activation timed Duration 30 Target tp_any Recharge 60 Hotkey Effects All Tanks and Armored Vehicles move more quickly, crush everything in their path, and fire more frequently. Infantry sprint to keep pace. ESee Ability Blitzkrieg for details. Vehicle Abilities Vehicle Cover [Expand][Hide] Cost Activation always_on Duration _ Target tp_any Recharge 0 Hotkey Effects $0 no key ESee Ability Vehicle Cover for details. Vehicle Weapons 88mm Tiger [Expand][Hide] Weapon 88mm Tiger See Weapon 88mm Tiger for details. MG42 Coaxial MG [Expand][Hide] Weapon MG42 Coaxial MG See Weapon MG42 Coaxial MG for details. MG42 Hull MG [Expand][Hide] Weapon MG42 Hull MG See Weapon MG42 Hull MG for details. Retrieved from http //coh-stats.com/Vehicle Tiger
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E.C.編 Stage00｜Stage01｜Stage02 Stage05｜Stage06｜Stage07 Stage11｜Stage12 Stage16 Stage18｜Stage19 Stage22｜Stage23｜Stage24 Stage27｜Stage28 南米編 Stage03｜Stage04 Stage08｜Stage09｜Stage10 Stage13｜Stage14｜Stage15 Stage17 Stage20｜Stage21 Stage25｜Stage26 Stage29 Stage26マップ 味方 NPC 敵 ストーリーイベント（後半）Save Point Stage26 カラカス中央部 天候 晴れ 時間 昼 勝利条件 敵全滅 敗北条件 味方全滅エルモ機の破壊 出撃パイロット選択 Darril / Renges / Chaeffer / Luis / Ines / ThammondPedro / Sancho / Rodriguez / Punch / Gomez / Isabel / Apollo / Antonio / Christina / Cornelio / Jose / Leon（事前に選択した5人が出撃可） クリアすると、「U.S.N. Simulator 07」追加 大型機動兵器3機のなかで、イワノヴナ機（Zhuk Ⅱ）を最初に撃破すると、「U.S.N. Simulator 12」追加 マップ 地形 進入不可 木 平地（0°≦傾斜≦15°） 砂地 岩地 浅瀬 平地（4脚移動不可） 段差 平地（15°＜傾斜≦30°） 砂地（15°＜傾斜≦30°） 岩地（15°＜傾斜≦30°） 深瀬 平地（4脚移動可） 段差（柵など） 平地（30°＜傾斜≦45°） 砂地（30°＜傾斜≦45°） 岩地（30°＜傾斜≦45°） マップ X 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 Y 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 ▼ 補給コンテナ投下地点（HP＝－） 敵ユニットリンク設定 アタックリンク：［支援機］―→ ｜ ディフェンスリンク：［支援機］―→ 敵ユニット動作敵ユニットは基本的に、ダメージを受けるか、接近すると行動を開始する 敵ユニット その他行動条件 1 2 or 3がダメージを受けると行動開始 2 / 3 / 10 － 4 / 5 / 6 / 7 / 8 / 9 / 11 / 12 / 13 1ターン目に行動開始 14 1 or 2 or 3 or 10がダメージを受けると行動開始 エルモ機は、1ターン目からTV局へ向かって移動を開始する移動ルート：北進 → 「X,Y＝13,30」を右折して東進 → 「X,Y＝24,30」を左折して北進 → 「X,Y＝24,21」を右折して東進 → 「X,Y＝31,21」を左折して北進 → 「X,Y＝31,11」を右折して東進 TV局前へ到着すると残っている敵ユニットを攻撃する 上へ 味方 No. Name UNIT PILOT PARTS WEAPONS SUPPORT Lv. Speed MG 武器熟練度 SKILLS Name Body HPNow / Max L Hand R Hand L Shoulder R Shoulder Atk. Eva. Evasion SG L Arm 武器種 Def. APNow / Max AP Charge RF R Arm 攻撃属性 ITEMS BZ Legs Dmg.（Dmg. Cut） BP Systems Resist MS Type Move × Armor Attack RK BP 機能（AP） AP Move GR 攻撃回数 Link ML Range BP CN HIt％ / Area / Homing 1 2 3 4 5 6 上へ NPC No. Name UNIT PILOT PARTS WEAPONS SUPPORT Lv. Speed MG 武器熟練度 SKILLS Name Body HPNow / Max L Hand R Hand L Shoulder R Shoulder Atk. Eva. Evasion SG L Arm 武器種 Def. APNow / Max AP Charge RF R Arm 攻撃属性 ITEMS BZ Legs Dmg.（Dmg. Cut） BP Systems Resist MS Type Move × Armor Attack RK BP 機能（AP） AP Move GR 攻撃回数 Link ML Range BP CN HIt％ / Area / Homing 1 2 3 4 5 No. Name UNIT PILOT PARTS WEAPONS SUPPORT Lv. Speed MG 武器熟練度 SKILLS Name Body HPNow / Max Weapon 1 Weapon 2 Weapon 3 Weapon 4 Atk. Eva. Evasion SG L Arm 武器種 Def. APNow / Max AP Charge RF R Arm 攻撃属性 ITEMS BZ Legs Dmg.（Dmg. Cut） BP Systems Resist MS Type Move × Armor Attack RK BP 機能（AP） AP Move GR 攻撃回数 Link ML Range BP CN HIt％ / Area / Homing 6 Elmo 13 3 MG 0 No Skills V8 Samson Ⅲ V8 Samson Ⅲ 3800 / 3800 V6Arnold CN L Hand 0％ 3％ SG 0 －－－－－ CN L Hand 13 / 13 13 RF 3 －－－－－ No Items BZ 3 －－－－－ 75×1 －－ Systems 0％ MS 3 4 ∞ Attack 0％ RK 0 －－－－－ 7 Move 0％ GR 0 ×1 Link 0％ ML 0 1-6 BP 0％ CN 3 80％-72％ 上へ 敵 No. Name UNIT PILOT PARTS WEAPONS SUPPORT 獲得 Lv. Speed MG 武器熟練度 SKILLS Name Body HPNow / Max Weapon 1 Weapon 2 Weapon 3 Weapon 4 Atk. 金 Body Eva. Evasion SG L Arm 武器種 Def. L Arm APNow / Max AP Charge RF R Arm 攻撃属性 ITEMS R Arm BZ Legs Dmg.（Dmg. Cut） Legs BP Systems Resist MS Type Move × 経験値 Armor Attack RK BP 機能（AP） AP Move GR 攻撃回数 Link ML Range EP BP CN HIt％ / Area / Homing 1 Ivanovna 13 7 MG 3 Full DefenseAnti-SkillAnti-BreakSpeed ⅢBlast Shot ⅡPerfect Missile Zhuk Ⅱ Zhuk Ⅱ 6000 / 6000 Zhuk Ⅱ MG Zhuk Ⅱ MG Zhuk Ⅱ CN Zhuk Ⅱ MS L Hand 金 2000 0％ 12％ SG 0 －－－－－ MG MG CN MS L Hand 24 / 24 20 RF 2 －－－－－ No Items BZ 3 －－－－－ 30×12 30×12 400×1 120×4 －－ Systems 100％ MS 3 2 ∞ ∞ ∞ ∞ 経験値 300 Attack 90％ RK 3 －－－－－ 5 5 12 10 Move 80％ GR 0 ×2 ×2 ×2 ×1 Link 50％ ML 0 1-3 1-3 4-6 7-8 EP 50 BP 0％ CN 3 80％-67％ 80％-67％ 62％-52％ Excellent 2 Z.A. Missileer 13 6 MG 3 Panic Shot ⅢMinus Shot ⅢAuto Machine Ⅱ Zhuk Ⅰ-B Zhuk Ⅰ-B 6000 / 6000 Zhuk ⅠB MG Zhuk ⅠB CN Zhuk ⅠB MS Zhuk ⅠB MS L Hand 金 1440 0％ 6％ SG 0 －－－－－ MG CN MS MS L Hand 18 / 18 18 RF 0 －－－－－ No Items BZ 3 －－－－－ 30×12 250×1 100×4 100×4 －－ Systems 80％ MS 3 2 ∞ ∞ ∞ ∞ 経験値 200 Attack 80％ RK 3 －－－－－ 5 7 10 10 Move 0％ GR 0 ×2 ×2 ×1 ×1 Link 40％ ML 0 1-3 4-6 7-8 7-8 EP 35 BP 0％ CN 3 80％-67％ 62％-52％ Good Good 3 Z.A. Missileer 13 6 MG 3 Panic Shot ⅢMinus Shot ⅢAuto Machine Ⅱ Zhuk Ⅰ-B Zhuk Ⅰ-B 6000 / 6000 Zhuk ⅠB MG Zhuk ⅠB CN Zhuk ⅠB MS Zhuk ⅠB MS L Hand 金 1440 0％ 6％ SG 0 －－－－－ MG CN MS MS L Hand 18 / 18 18 RF 0 －－－－－ No Items BZ 3 －－－－－ 30×12 250×1 100×4 100×4 －－ Systems 80％ MS 3 2 ∞ ∞ ∞ ∞ 経験値 200 Attack 80％ RK 3 －－－－－ 5 7 10 10 Move 0％ GR 0 ×2 ×2 ×1 ×1 Link 40％ ML 0 1-3 4-6 7-8 7-8 EP 35 BP 0％ CN 3 80％-67％ 62％-52％ Good Good No. Name UNIT PILOT PARTS WEAPONS SUPPORT 獲得 Lv. Speed MG 武器熟練度 SKILLS Name Body HPNow / Max L Hand R Hand L Shoulder R Shoulder Atk. 金 Body Eva. Evasion SG L Arm 武器種 Def. L Arm APNow / Max AP Charge RF R Arm 攻撃属性 ITEMS R Arm BZ Legs Dmg.（Dmg. Cut） Legs BP Systems Resist MS Type Move × 経験値 Armor Attack RK BP 機能（AP） AP Move GR Link ML EP BP CN 4 Z.A. Assault 13 7 MG 3 Switch Ⅰ TYPE 67X TYPE 67X 1200 / 1200 TYPE67X MG TYPE67X MG L Hand 金 640 10％ 15％ SG 3 TYPE 67X 600 / 600 MG MG L Hand 200 16 / 16 16 RF 0 TYPE 67X 600 / 600 No Items 200 BZ 0 TYPE 67X 800 / 800 21×10 21×10 224 －－ Systems 60％ MS 0 2Legs 8 50 50 経験値 100 Attack 70％ RK 0 －－－－－ 5 5 Move 0％ GR 0 ×2 ×2 Link 40％ ML 0 1-4 1-4 EP 20 BP 0％ CN 0 80％-75％ 80％-75％ 5 Z.A. Assault 13 7 MG 3 Switch ⅠRush TYPE 67X TYPE 67X 1200 / 1200 TYPE67X MG TYPE67X MG L Hand 金 640 10％ 15％ SG 3 TYPE 67X 600 / 600 MG MG L Hand 200 16 / 16 16 RF 0 TYPE 67X 600 / 600 No Items 200 BZ 0 TYPE 67X 800 / 800 21×10 21×10 224 －－ Systems 60％ MS 0 2Legs 8 50 50 経験値 100 Attack 70％ RK 0 －－－－－ 5 5 Move 0％ GR 0 ×2 ×2 Link 40％ ML 0 1-4 1-4 EP 20 BP 0％ CN 0 80％-75％ 80％-75％ 6 Z.A. Assault 13 7 MG 3 Switch Ⅰ TYPE 67X TYPE 67X 1200 / 1200 TYPE67X MG TYPE67X MG L Hand 金 640 10％ 15％ SG 3 TYPE 67X 600 / 600 MG MG L Hand 200 16 / 16 16 RF 0 TYPE 67X 600 / 600 No Items 200 BZ 0 TYPE 67X 800 / 800 21×10 21×10 224 －－ Systems 60％ MS 0 2Legs 8 50 50 経験値 100 Attack 70％ RK 0 －－－－－ 5 5 Move 0％ GR 0 ×2 ×2 Link 40％ ML 0 1-4 1-4 EP 20 BP 0％ CN 0 80％-75％ 80％-75％ 7 Z.A. Assault 13 7 MG 3 Switch ⅠRush TYPE 67X TYPE 67X 1200 / 1200 TYPE67X MG TYPE67X MG L Hand 金 640 10％ 15％ SG 3 TYPE 67X 600 / 600 MG MG L Hand 200 16 / 16 16 RF 0 TYPE 67X 600 / 600 No Items 200 BZ 0 TYPE 67X 800 / 800 21×10 21×10 224 －－ Systems 60％ MS 0 2Legs 8 50 50 経験値 100 Attack 70％ RK 0 －－－－－ 5 5 Move 0％ GR 0 ×2 ×2 Link 40％ ML 0 1-4 1-4 EP 20 BP 0％ CN 0 80％-75％ 80％-75％ 8 Z.A. Mechanic 13 3 MG 1 Defend BodyFull Defense Vonart Vonart 1400 / 1400 State 18 State 18 L Hand 金 400 1％ 9％ SG 2 Vonart 700 / 700 SG SG L Hand 50 18 / 18 18 RF 0 Vonart 700 / 700 No Items 50 BZ 0 Vonart 930 / 930 26×8 26×8 80 Repair Systems 60％ MS 0 2Legs 5 28 28 経験値 100 Attack 0％ RK 0 Prx-Granata Range：1-3Repair：700（3）Rebirth：550（3） 3 3 Move 0％ GR 0 ×2 ×2 Link 0％ ML 0 1-3 1-3 EP 25 BP 60％ CN 0 75％-64％ 75％-64％ 9 Z.A. Mechanic 13 3 MG 1 Defend BodyFull Defense Vonart Vonart 1400 / 1400 State 18 State 18 L Hand 金 400 1％ 9％ SG 2 Vonart 700 / 700 SG SG L Hand 50 18 / 18 18 RF 0 Vonart 700 / 700 No Items 50 BZ 0 Vonart 930 / 930 26×8 26×8 80 Repair Systems 60％ MS 0 2Legs 5 28 28 経験値 100 Attack 0％ RK 0 Prx-Granata Range：1-3Repair：700（3）Rebirth：550（3） 3 3 Move 0％ GR 0 ×2 ×2 Link 0％ ML 0 1-3 1-3 EP 25 BP 60％ CN 0 75％-64％ 75％-64％ 10 Z.A. Mechanic 13 3 MG 1 Defend BodyFull Defense Vonart Vonart 1400 / 1400 State 18 State 18 L Hand 金 400 1％ 9％ SG 2 Vonart 700 / 700 SG SG L Hand 50 18 / 18 18 RF 0 Vonart 700 / 700 No Items 50 BZ 0 Vonart 930 / 930 26×8 26×8 80 Repair Systems 60％ MS 0 2Legs 5 28 28 経験値 100 Attack 0％ RK 0 Prx-Granata Range：1-3Repair：700（3）Rebirth：550（3） 3 3 Move 0％ GR 0 ×2 ×2 Link 0％ ML 0 1-3 1-3 EP 25 BP 60％ CN 0 75％-64％ 75％-64％ 11 Z.A. Recon 13 10 MG 3 Defend Body Zaigaut 302 Zaigaut 302 1000 / 1000 Juri 1 Juri 1 L Hand 金 480 34％ 15％ SG 0 Zaigaut 302 500 / 500 MG MG L Hand 72 14 / 14 14 RF 0 Zaigaut 302 500 / 500 No Items 72 BZ 0 Zaigaut 302 670 / 670 13×14 13×14 300 Sensor Systems 60％ MS 0 2Legs 8 30 30 経験値 100 Attack 30％ RK 0 SE0x-Prognoz SonarNormal：1-4Rain：1-3RadarNormal：1-3Night：1-4 4 4 Move 50％ GR 0 ×2 ×2 Link 40％ ML 0 1-4 1-4 EP 20 BP 60％ CN 0 80％-62％ 80％-62％ 12 Z.A. Recon 13 10 MG 3 Defend Body Zaigaut 302 Zaigaut 302 1000 / 1000 Juri 1 Juri 1 L Hand 金 480 34％ 15％ SG 0 Zaigaut 302 500 / 500 MG MG L Hand 72 14 / 14 14 RF 0 Zaigaut 302 500 / 500 No Items 72 BZ 0 Zaigaut 302 670 / 670 13×14 13×14 300 Sensor Systems 60％ MS 0 2Legs 8 30 30 経験値 100 Attack 30％ RK 0 SE0x-Prognoz SonarNormal：1-4Rain：1-3RadarNormal：1-3Night：1-4 4 4 Move 50％ GR 0 ×2 ×2 Link 40％ ML 0 1-4 1-4 EP 20 BP 60％ CN 0 80％-62％ 80％-62％ 13 Z.A. Recon 13 10 MG 3 Defend Body Zaigaut 302 Zaigaut 302 1000 / 1000 Juri 1 Juri 1 L Hand 金 480 34％ 15％ SG 0 Zaigaut 302 500 / 500 MG MG L Hand 72 14 / 14 14 RF 0 Zaigaut 302 500 / 500 No Items 72 BZ 0 Zaigaut 302 670 / 670 13×14 13×14 300 Sensor Systems 60％ MS 0 2Legs 8 30 30 経験値 100 Attack 30％ RK 0 SE0x-Prognoz SonarNormal：1-4Rain：1-3RadarNormal：1-3Night：1-4 4 4 Move 50％ GR 0 ×2 ×2 Link 40％ ML 0 1-4 1-4 EP 20 BP 60％ CN 0 80％-62％ 80％-62％ 14 Z.A. Recon 13 10 MG 3 Defend Body Zaigaut 302 Zaigaut 302 1000 / 1000 Juri 1 Juri 1 L Hand 金 480 34％ 15％ SG 0 Zaigaut 302 500 / 500 MG MG L Hand 72 14 / 14 14 RF 0 Zaigaut 302 500 / 500 No Items 72 BZ 0 Zaigaut 302 670 / 670 13×14 13×14 300 Sensor Systems 60％ MS 0 2Legs 8 30 30 経験値 100 Attack 30％ RK 0 SE0x-Prognoz SonarNormal：1-4Rain：1-3RadarNormal：1-3Night：1-4 4 4 Move 50％ GR 0 ×2 ×2 Link 40％ ML 0 1-4 1-4 EP 20 BP 60％ CN 0 80％-62％ 80％-62％ 上へ ストーリーイベント（後半） Save Point Save セーブ Load ロード Exit セーブ／ロードを終了します E.C.編（Stage27）へ 上へ
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CHAPTER VIII UP CHAPTER X CHAPTER IX Mrs. Rachel Lynde Is Properly Horrified Anne had been a fortnight at Green Gables before Mrs. Lynde arrived to inspect her. Mrs. Rachel, to do her justice, was not to blame for this. A severe and unseasonable attack of grippe had confined that good lady to her house ever since the occasion of her last visit to Green Gables. Mrs. Rachel was not often sick and had a well-defined contempt for people who were; but grippe, she asserted, was like no other illness on earth and could only be interpreted as one of the special visitations of Providence. As soon as her doctor allowed her to put her foot out-of-doors she hurried up to Green Gables, bursting with curiosity to see Matthew and Marilla s orphan, concerning whom all sorts of stories and suppositions had gone abroad in Avonlea. Anne had made good use of every waking moment of that fortnight. Already she was acquainted with every tree and shrub about the place. She had discovered that a lane opened out below the apple orchard and ran up through a belt of woodland; and she had explored it to its furthest end in all its delicious vagaries of brook and bridge, fir coppice and wild cherry arch, corners thick with fern, and branching byways of maple and mountain ash. She had made friends with the spring down in the hollow-- that wonderful deep, clear icy-cold spring; it was set about with smooth red sandstones and rimmed in by great palm-like clumps of water fern; and beyond it was a log bridge over the brook. That bridge led Anne s dancing feet up over a wooded hill beyond, where perpetual twilight reigned under the straight, thick-growing firs and spruces; the only flowers there were myriads of delicate "June bells," those shyest and sweetest of woodland blooms, and a few pale, aerial starflowers, like the spirits of last year s blossoms. Gossamers glimmered like threads of silver among the trees and the fir boughs and tassels seemed to utter friendly speech. All these raptured voyages of exploration were made in the odd half hours which she was allowed for play, and Anne talked Matthew and Marilla half-deaf over her discoveries. Not that Matthew complained, to be sure; he listened to it all with a wordless smile of enjoyment on his face; Marilla permitted the "chatter" until she found herself becoming too interested in it, whereupon she always promptly quenched Anne by a curt command to hold her tongue. Anne was out in the orchard when Mrs. Rachel came, wandering at her own sweet will through the lush, tremu- lous grasses splashed with ruddy evening sunshine; so that good lady had an excellent chance to talk her illness fully over, describing every ache and pulse beat with such evident enjoyment that Marilla thought even grippe must bring its compensations. When details were exhausted Mrs. Rachel introduced the real reason of her call. "I ve been hearing some surprising things about you and Matthew." "I don t suppose you are any more surprised than I am myself," said Marilla. "I m getting over my surprise now." "It was too bad there was such a mistake," said Mrs. Rachel sympathetically. "Couldn t you have sent her back?" "I suppose we could, but we decided not to. Matthew took a fancy to her. And I must say I like her myself-- although I admit she has her faults. The house seems a different place already. She s a real bright little thing." Marilla said more than she had intended to say when she began, for she read disapproval in Mrs. Rachel s expression. "It s a great responsibility you ve taken on yourself," said that lady gloomily, "especially when you ve never had any experience with children. You don t know much about her or her real disposition, I suppose, and there s no guessing how a child like that will turn out. But I don t want to discourage you I m sure, Marilla." "I m not feeling discouraged," was Marilla s dry response. "when I make up my mind to do a thing it stays made up. I suppose you d like to see Anne. I ll call her in." Anne came running in presently, her face sparkling with the delight of her orchard rovings; but, abashed at finding the delight herself in the unexpected presence of a stranger, she halted confusedly inside the door. She certainly was an odd-looking little creature in the short tight wincey dress she had worn from the asylum, below which her thin legs seemed ungracefully long. Her freckles were more numerous and obtrusive than ever; the wind had ruffled her hatless hair into over-brilliant disorder; it had never looked redder than at that moment. "Well, they didn t pick you for your looks, that s sure and certain," was Mrs. Rachel Lynde s emphatic comment. Mrs. Rachel was one of those delightful and popular people who pride themselves on speaking their mind without fear or favor. "She s terrible skinny and homely, Marilla. Come here, child, and let me have a look at you. Lawful heart, did any one ever see such freckles? And hair as red as carrots! Come here, child, I say." Anne "came there," but not exactly as Mrs. Rachel expected. With one bound she crossed the kitchen floor and stood before Mrs. Rachel, her face scarlet with anger, her lips quivering, and her whole slender form trembling from head to foot. "I hate you," she cried in a choked voice, stamping her foot on the floor. "I hate you--I hate you--I hate you--" a louder stamp with each assertion of hatred. "How dare you call me skinny and ugly? How dare you say I m freckled and redheaded? You are a rude, impolite, unfeeling woman!" "Anne!" exclaimed Marilla in consternation. But Anne continued to face Mrs. Rachel undauntedly, head up, eyes blazing, hands clenched, passionate indignation exhaling from her like an atmosphere. "How dare you say such things about me?" she repeated vehemently. "How would you like to have such things said about you? How would you like to be told that you are fat and clumsy and probably hadn t a spark of imagination in you? I don t care if I do hurt your feelings by saying so! I hope I hurt them. You have hurt mine worse than they were ever hurt before even by Mrs. Thomas intoxicated husband. And I ll NEVER forgive you for it, never, never!" Stamp! Stamp! "Did anybody ever see such a temper!" exclaimed the horrified Mrs. Rachel. "Anne go to your room and stay there until I come up," said Marilla, recovering her powers of speech with difficulty. Anne, bursting into tears, rushed to the hall door, slammed it until the tins on the porch wall outside rattled in sympathy, and fled through the hall and up the stairs like a whirlwind. A subdued slam above told that the door of the east gable had been shut with equal vehemence. "Well, I don t envy you your job bringing THAT up, Marilla," said Mrs. Rachel with unspeakable solemnity. Marilla opened her lips to say she knew not what of apology or deprecation. What she did say was a surprise to herself then and ever afterwards. "You shouldn t have twitted her about her looks, Rachel." "Marilla Cuthbert, you don t mean to say that you are upholding her in such a terrible display of temper as we ve just seen?" demanded Mrs. Rachel indignantly. "No," said Marilla slowly, "I m not trying to excuse her. She s been very naughty and I ll have to give her a talking to about it. But we must make allowances for her. She s never been taught what is right. And you WERE too hard on her, Rachel." Marilla could not help tacking on that last sentence, although she was again surprised at herself for doing it. Mrs. Rachel got up with an air of offended dignity. "Well, I see that I ll have to be very careful what I say after this, Marilla, since the fine feelings of orphans, brought from goodness knows where, have to be considered before anything else. Oh, no, I m not vexed--don t worry yourself. I m too sorry for you to leave any room for anger in my mind. You ll have your own troubles with that child. But if you ll take my advice--which I suppose you won t do, although I ve brought up ten children and buried two--you ll do that `talking to you mention with a fair- sized birch switch. I should think THAT would be the most effective language for that kind of a child. Her temper matches her hair I guess. Well, good evening, Marilla. I hope you ll come down to see me often as usual. But you can t expect me to visit here again in a hurry, if I m liable to be flown at and insulted in such a fashion. It s something new in MY experience." Whereat Mrs. Rachel swept out and away--if a fat woman who always waddled COULD be said to sweep away--and Marilla with a very solemn face betook herself to the east gable. On the way upstairs she pondered uneasily as to what she ought to do. She felt no little dismay over the scene that had just been enacted. How unfortunate that Anne should have displayed such temper before Mrs. Rachel Lynde, of all people! Then Marilla suddenly became aware of an uncomfortable and rebuking consciousness that she felt more humiliation over this than sorrow over the discovery of such a serious defect in Anne s disposition. And how was she to punish her? The amiable suggestion of the birch switch--to the efficiency of which all of Mrs. Rachel s own children could have borne smarting testimony-- did not appeal to Marilla. She did not believe she could whip a child. No, some other method of punishment must be found to bring Anne to a proper realization of the enormity of her offense. Marilla found Anne face downward on her bed, crying bitterly, quite oblivious of muddy boots on a clean counterpane. "Anne," she said not ungently. No answer. "Anne," with greater severity, "get off that bed this minute and listen to what I have to say to you." Anne squirmed off the bed and sat rigidly on a chair beside it, her face swollen and tear-stained and her eyes fixed stubbornly on the floor. "This is a nice way for you to behave. Anne! Aren t you ashamed of yourself?" "She hadn t any right to call me ugly and redheaded," retorted Anne, evasive and defiant. "You hadn t any right to fly into such a fury and talk the way you did to her, Anne. I was ashamed of you-- thoroughly ashamed of you. I wanted you to behave nicely to Mrs. Lynde, and instead of that you have disgraced me. I m sure I don t know why you should lose your temper like that just because Mrs. Lynde said you were red-haired and homely. You say it yourself often enough." "Oh, but there s such a difference between saying a thing yourself and hearing other people say it," wailed Anne. "You may know a thing is so, but you can t help hoping other people don t quite think it is. I suppose you think I have an awful temper, but I couldn t help it. When she said those things something just rose right up in me and choked me. I HAD to fly out at her." "Well, you made a fine exhibition of yourself I must say. Mrs. Lynde will have a nice story to tell about you everywhere--and she ll tell it, too. It was a dreadful thing for you to lose your temper like that, Anne." "Just imagine how you would feel if somebody told you to your face that you were skinny and ugly," pleaded Anne tearfully. An old remembrance suddenly rose up before Marilla. She had been a very small child when she had heard one aunt say of her to another, "What a pity she is such a dark, homely little thing." Marilla was every day of fifty before the sting had gone out of that memory. "I don t say that I think Mrs. Lynde was exactly right in saying what she did to you, Anne," she admitted in a softer tone. "Rachel is too outspoken. But that is no excuse for such behavior on your part. She was a stranger and an elderly person and my visitor--all three very good reasons why you should have been respectful to her. You were rude and saucy and"--Marilla had a saving inspiration of punishment--"you must go to her and tell her you are very sorry for your bad temper and ask her to forgive you." "I can never do that," said Anne determinedly and darkly. "You can punish me in any way you like, Marilla. You can shut me up in a dark, damp dungeon inhabited by snakes and toads and feed me only on bread and water and I shall not complain. But I cannot ask Mrs. Lynde to forgive me." "We re not in the habit of shutting people up in dark damp dungeons," said Marilla drily, "especially as they re rather scarce in Avonlea. But apologize to Mrs. Lynde you must and shall and you ll stay here in your room until you can tell me you re willing to do it." "I shall have to stay here forever then," said Anne mournfully, "because I can t tell Mrs. Lynde I m sorry I said those things to her. How can I? I m NOT sorry. I m sorry I ve vexed you; but I m GLAD I told her just what I did. It was a great satisfaction. I can t say I m sorry when I m not, can I? I can t even IMAGINE I m sorry." "Perhaps your imagination will be in better working order by the morning," said Marilla, rising to depart. "You ll have the night to think over your conduct in and come to a better frame of mind. You said you would try to be a very good girl if we kept you at Green Gables, but I must say it hasn t seemed very much like it this evening." Leaving this Parthian shaft to rankle in Anne s stormy bosom, Marilla descended to the kitchen, grievously troubled in mind and vexed in soul. She was as angry with herself as with Anne, because, whenever she recalled Mrs. Rachel s dumbfounded countenance her lips twitched with amusement and she felt a most reprehensible desire to laugh. CHAPTER VIII UP CHAPTER X 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 29 34 (Tue)
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This page explains various roles in the regular meeting. It also provides script and tips. Useful files are also available at Public Downloads. When you are assigned to a speech, be sure to bring your manuals to allow your evaluator to write a written evaluation for you. 1. Club Bylaws 2. Competent Communication Manual (Objectives) 3. Competent leadership Manual 4. Advanced Manuals (Descriptions) 5. Scripts (Timer, Vote Counter, GRAHCO) 6. Tips for Table Topics Master 7. Tips on Evaluation 8. Agenda Sample (Members Only Downloads) 9. Tips forTMOD (Members Only Downloads) 10. Glossary 11. You Can t Talk About That 12. Rules, Guidelines, Shopping - Introduction of TI Site Description 1. Club Bylaws These bylaws and constitution are used by all toastmasters club worldwide. 2. Competent Communication Manual (List of objectives) 3. Competent leadership Manual Read page 58 of your Competent Communication Manual on Communication and Leadership Tracks. This explains how to use the above two manuals includedin the new member kit. Members should bring two manuals everytime they serve a role. 4. Advanced Manuals Read page 76 of your Competent Communication Manual Upon completion of the first ten projects of Competent Communication Manual you will acquire the title CC (Competent Communicater) and be entitled to choose two manuals from 15 advanced manuals. The fees for the first two advanced manuals are included in your original payment on your application for membership. 5. Scripts Your first roles in the meeting will be invocation (Mission of the club, Thought of the day, vote counter, timer, and perhaps later GRAHCO (gra-cou). You will be requested to give an explanation of your role by TMOD (tea-mode Toastmaster Of The Day) at the start of the meeting. Feel free to modify these scripts (except for the Mission of the Club) to create your own version. When you are TMOD, and need to call a member, call the person as Toastmaster so and so - rather than TM (tea-em) so and so - even though the abbreviation may be used on the agenda. On the other hand GRAHCO and TMOD are acronyms and used as such. TMOD is preferably called Toastmaster or Madam Toastmaster typically at the start or end of a speech. Toastmaster of the Day is also used for this purpose. 6. Tips for Tabletopics Master To make your session most exciting. 7. Tips on Evaluation For a positive and effective evaluation. 8. Agenda Sample This file is at the Members Only Downloads. * This sample can be used for overwriting when you are TMOD 9. Tips for TMOD This file is at the Members Only Downloads. Please find * TMOD_duties_as_of_909.pdf . 10. Glossary 11. You Can t Talk About That! Members often tell us that other Toastmasters have told them that speeches concerning politics, religion and sex are forbidden by Toastmasters International because such controversial subjects are not appropriate. This is not true. Toastmasters International does not prohibit any speech topic, content or language. Toastmasters International recognizes club members may learn much about the world around them from listening to others’speeches on a variety of subjects. This variety can add interest to club meetings and stimulate thoughts and ideas. For these reasons, Toastmasters International does not place restrictions on topics, content, or language of any speeches. It also recognizesthat a club is a diverse group of people and recommends members be sensitive to this diversity and use good taste and responsibility when selecting speech topics, content, and language. While Toastmasters International has no restrictions, a club may guide its nembers on how to observe good taste and sensitivity in the context of that particular club. (from TIPS, toastmasters Bimonthly Magazine)
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I m wanting someone that s loved and lost Someone that s known the thrill and paid the cost Someone that says they ll never take a chance Of another broken heart by false romance * Wanted an unwanted love To share all the misery and pain Of a heart that s unwanted in love And unwilling to gamble again I don t want to love again I m sure Someone whose love is not sincere I don t want someone that hasn t known How it feels to love and then be left alone * Refrain I know there are others like me Alone, foot-loose and fancy-free Yet chained to a love they ll never claim And afraid to ever love again * Refrain （訳詞） ぼくは愛し、失った誰かを求めている わくわくするようなスリルを知り、その犠牲を払った誰かを 偽りの恋に心を引き裂かれるようなことは 二度としないという誰かを 好ましからざる愛を求めてきた 愛には無用な心の苦痛や痛みを 分かち合うために もう二度とこんなことはしたくない もう二度と恋はしたくない 愛に誠実じゃない誰かとは 恋のしかたを知らなくて、ぼくを独りぼっちにするような誰かを ぼくは求めてはいないんだ * Refrain ぼくに似たような人がいるのを知っている ひとりぼっちで、自由気ままで、恋を知らなくて 恋の鎖につながれても彼らは何もいわない また恋をするのが怖いんだ * Refrain
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CHAPTER XVIII UP CHAPTER XX CHAPTER XIX A Concert a Catastrophe and a Confession "MARILLA, can I go over to see Diana just for a minute?" asked Anne, running breathlessly down from the east gable one February evening. "I don t see what you want to be traipsing about after dark for," said Marilla shortly. "You and Diana walked home from school together and then stood down there in the snow for half an hour more, your tongues going the whole blessed time, clickety-clack. So I don t think you re very badly off to see her again." "But she wants to see me," pleaded Anne. "She has something very important to tell me." "How do you know she has?" "Because she just signaled to me from her window. We have arranged a way to signal with our candles and cardboard. We set the candle on the window sill and make flashes by passing the cardboard back and forth. So many flashes mean a certain thing. It was my idea, Marilla." "I ll warrant you it was," said Marilla emphatically. "And the next thing you ll be setting fire to the curtains with your signaling nonsense." "Oh, we re very careful, Marilla. And it s so interesting. Two flashes mean, `Are you there? Three mean `yes and four `no. Five mean, `Come over as soon as possible, because I have something important to reveal. Diana has just signaled five flashes, and I m really suffering to know what it is." "Well, you needn t suffer any longer," said Marilla sarcastically. "You can go, but you re to be back here in just ten minutes, remember that." Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana s important communication within the limits of ten minutes. But at least she had made good use of them. "Oh, Marilla, what do you think? You know tomorrow is Diana s birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And her cousins are coming over from Newbridge in a big pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you ll let me go, that is. You will, won t you, Marilla? Oh, I feel so excited." "You can calm down then, because you re not going. You re better at home in your own bed, and as for that club concert, it s all nonsense, and little girls should not be allowed to go out to such places at all." "I m sure the Debating Club is a most respectable affair," pleaded Anne. "I m not saying it isn t. But you re not going to begin gadding about to concerts and staying out all hours of the night. Pretty doings for children. I m surprised at Mrs. Barry s letting Diana go." "But it s such a very special occasion," mourned Anne, on the verge of tears. "Diana has only one birthday in a year. It isn t as if birthdays were common things, Marilla. Prissy Andrews is going to recite `Curfew Must Not Ring Tonight. That is such a good moral piece, Marilla, I m sure it would do me lots of good to hear it. And the choir are going to sing four lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he s going to give an address. That will be just about the same thing as a sermon. Please, mayn t I go, Marilla?" "You heard what I said, Anne, didn t you? Take off your boots now and go to bed. It s past eight." "There s just one more thing, Marilla," said Anne, with the air of producing the last shot in her locker. "Mrs. Barry told Diana that we might sleep in the spare-room bed. Think of the honor of your little Anne being put in the spare-room bed." "It s an honor you ll have to get along without. Go to bed, Anne, and don t let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly "Well now, Marilla, I think you ought to let Anne go." "I don t then," retorted Marilla. "Who s bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don t interfere then." "Well now, I ain t interfering. It ain t interfering to have your own opinion. And my opinion is that you ought to let Anne go." "You d think I ought to let Anne go to the moon if she took the notion, I ve no doubt" was Marilla s amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don t approve of this concert plan. She d go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child s disposition and what s good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his strong point, but holding fast to his opinion certainly was. Marilla gave a gasp of helplessness and took refuge in silence. The next morning, when Anne was washing the breakfast dishes in the pantry, Matthew paused on his way out to the barn to say to Marilla again "I think you ought to let Anne go, Marilla." For a moment Marilla looked things not lawful to be uttered. Then she yielded to the inevitable and said tartly "Very well, she can go, since nothing else ll please you." Anne flew out of the pantry, dripping dishcloth in hand. "Oh, Marilla, Marilla, say those blessed words again." "I guess once is enough to say them. This is Matthew s doings and I wash my hands of it. If you catch pneumonia sleeping in a strange bed or coming out of that hot hall in the middle of the night, don t blame me, blame Matthew. Anne Shirley, you re dripping greasy water all over the floor. I never saw such a careless child." "Oh, I know I m a great trial to you, Marilla," said Anne repentantly. "I make so many mistakes. But then just think of all the mistakes I don t make, although I might. I ll get some sand and scrub up the spots before I go to school. Oh, Marilla, my heart was just set on going to that concert. I never was to a concert in my life, and when the other girls talk about them in school I feel so out of it. You didn t know just how I felt about it, but you see Matthew did. Matthew understands me, and it s so nice to be understood, Marilla." Anne was too excited to do herself justice as to lessons that morning in school. Gilbert Blythe spelled her down in class and left her clear out of sight in mental arithmetic. Anne s consequent humiliation was less than it might have been, however, in view of the concert and the spare-room bed. She and Diana talked so constantly about it all day that with a stricter teacher than Mr. Phillips dire disgrace must inevitably have been their portion. Anne felt that she could not have borne it if she had not been going to the concert, for nothing else was discussed that day in school. The Avonlea Debating Club, which met fortnightly all winter, had had several smaller free entertainments; but this was to be a big affair, admission ten cents, in aid of the library. The Avonlea young people had been practicing for weeks, and all the scholars were especially interested in it by reason of older brothers and sisters who were going to take part. Everybody in school over nine years of age expected to go, except Carrie Sloane, whose father shared Marilla s opinions about small girls going out to night concerts. Carrie Sloane cried into her grammar all the afternoon and felt that life was not worth living. For Anne the real excitement began with the dismissal of school and increased therefrom in crescendo until it reached to a crash of positive ecstasy in the concert itself. They had a "perfectly elegant tea;" and then came the delicious occupation of dressing in Diana s little room upstairs. Diana did Anne s front hair in the new pompadour style and Anne tied Diana s bows with the especial knack she possessed; and they experimented with at least half a dozen different ways of arranging their back hair. At last they were ready, cheeks scarlet and eyes glowing with excitement. True, Anne could not help a little pang when she contrasted her plain black tam and shapeless, tight-sleeved, homemade gray-cloth coat with Diana s jaunty fur cap and smart little jacket. But she remembered in time that she had an imagination and could use it. Then Diana s cousins, the Murrays from Newbridge, came; they all crowded into the big pung sleigh, among straw and furry robes. Anne reveled in the drive to the hall, slipping along over the satin-smooth roads with the snow crisping under the runners. There was a magnificent sunset, and the snowy hills and deep-blue water of the St. Lawrence Gulf seemed to rim in the splendor like a huge bowl of pearl and sapphire brimmed with wine and fire. Tinkles of sleigh bells and distant laughter, that seemed like the mirth of wood elves, came from every quarter. "Oh, Diana," breathed Anne, squeezing Diana s mittened hand under the fur robe, "isn t it all like a beautiful dream? Do I really look the same as usual? I feel so different that it seems to me it must show in my looks." "You look awfully nice," said Diana, who having just received a compliment from one of her cousins, felt that she ought to pass it on. "You ve got the loveliest color." The program that night was a series of "thrills" for at least one listener in the audience, and, as Anne assured Diana, every succeeding thrill was thrillier than the last. When Prissy Andrews, attired in a new pink-silk waist with a string of pearls about her smooth white throat and real carnations in her hair--rumor whispered that the master had sent all the way to town for them for her--"climbed the slimy ladder, dark without one ray of light," Anne shivered in luxurious sympathy; when the choir sang "Far Above the Gentle Daisies" Anne gazed at the ceiling as if it were frescoed with angels; when Sam Sloane proceeded to explain and illustrate "How Sockery Set a Hen" Anne laughed until people sitting near her laughed too, more out of sympathy with her than with amusement at a selection that was rather threadbare even in Avonlea; and when Mr. Phillips gave Mark Antony s oration over the dead body of Caesar in the most heartstirring tones--looking at Prissy Andrews at the end of every sentence--Anne felt that she could rise and mutiny on the spot if but one Roman citizen led the way. Only one number on the program failed to interest her. When Gilbert Blythe recited "Bingen on the Rhine" Anne picked up Rhoda Murray s library book and read it until he had finished, when she sat rigidly stiff and motionless while Diana clapped her hands until they tingled. It was eleven when they got home, sated with dissipation, but with the exceeding sweet pleasure of talking it all over still to come. Everybody seemed asleep and the house was dark and silent. Anne and Diana tiptoed into the parlor, a long narrow room out of which the spare room opened. It was pleasantly warm and dimly lighted by the embers of a fire in the grate. "Let s undress here," said Diana. "It s so nice and warm." "Hasn t it been a delightful time?" sighed Anne rapturously. "It must be splendid to get up and recite there. Do you suppose we will ever be asked to do it, Diana?" "Yes, of course, someday. They re always wanting the big scholars to recite. Gilbert Blythe does often and he s only two years older than us. Oh, Anne, how could you pretend not to listen to him? When he came to the line, "THERE S ANOTHER, not A SISTER, he looked right down at you." "Diana," said Anne with dignity, "you are my bosom friend, but I cannot allow even you to speak to me of that person. Are you ready for bed? Let s run a race and see who ll get to the bed first." The suggestion appealed to Diana. The two little white-clad figures flew down the long room, through the spare-room door, and bounded on the bed at the same moment. And then--something--moved beneath them, there was a gasp and a cry--and somebody said in muffled accents "Merciful goodness!" Anne and Diana were never able to tell just how they got off that bed and out of the room. They only knew that after one frantic rush they found themselves tiptoeing shiveringly upstairs. "Oh, who was it--WHAT was it?" whispered Anne, her teeth chattering with cold and fright. "It was Aunt Josephine," said Diana, gasping with laughter. "Oh, Anne, it was Aunt Josephine, however she came to be there. Oh, and I know she will be furious. It s dreadful--it s really dreadful--but did you ever know anything so funny, Anne?" "Who is your Aunt Josephine?" "She s father s aunt and she lives in Charlottetown. She s awfully old--seventy anyhow--and I don t believe she was EVER a little girl. We were expecting her out for a visit, but not so soon. She s awfully prim and proper and she ll scold dreadfully about this, I know. Well, we ll have to sleep with Minnie May--and you can t think how she kicks." Miss Josephine Barry did not appear at the early breakfast the next morning. Mrs. Barry smiled kindly at the two little girls. "Did you have a good time last night? I tried to stay awake until you came home, for I wanted to tell you Aunt Josephine had come and that you would have to go upstairs after all, but I was so tired I fell asleep. I hope you didn t disturb your aunt, Diana." Diana preserved a discreet silence, but she and Anne exchanged furtive smiles of guilty amusement across the table. Anne hurried home after breakfast and so remained in blissful ignorance of the disturbance which presently resulted in the Barry household until the late afternoon, when she went down to Mrs. Lynde s on an errand for Marilla. "So you and Diana nearly frightened poor old Miss Barry to death last night?" said Mrs. Lynde severely, but with a twinkle in her eye. "Mrs. Barry was here a few minutes ago on her way to Carmody. She s feeling real worried over it. Old Miss Barry was in a terrible temper when she got up this morning--and Josephine Barry s temper is no joke, I can tell you that. She wouldn t speak to Diana at all." "It wasn t Diana s fault," said Anne contritely. "It was mine. I suggested racing to see who would get into bed first." "I knew it!" said Mrs. Lynde, with the exultation of a correct guesser. "I knew that idea came out of your head. Well, it s made a nice lot of trouble, that s what. Old Miss Barry came out to stay for a month, but she declares she won t stay another day and is going right back to town tomorrow, Sunday and all as it is. She d have gone today if they could have taken her. She had promised to pay for a quarter s music lessons for Diana, but now she is determined to do nothing at all for such a tomboy. Oh, I guess they had a lively time of it there this morning. The Barrys must feel cut up. Old Miss Barry is rich and they d like to keep on the good side of her. Of course, Mrs. Barry didn t say just that to me, but I m a pretty good judge of human nature, that s what." "I m such an unlucky girl," mourned Anne. "I m always getting into scrapes myself and getting my best friends--people I d shed my heart s blood for--into them too. Can you tell me why it is so, Mrs. Lynde?" "It s because you re too heedless and impulsive, child, that s what. You never stop to think--whatever comes into your head to say or do you say or do it without a moment s reflection." "Oh, but that s the best of it," protested Anne. "Something just flashes into your mind, so exciting, and you must out with it. If you stop to think it over you spoil it all. Haven t you never felt that yourself, Mrs. Lynde?" No, Mrs. Lynde had not. She shook her head sagely. "You must learn to think a little, Anne, that s what. The proverb you need to go by is `Look before you leap --especially into spare-room beds." Mrs. Lynde laughed comfortably over her mild joke, but Anne remained pensive. She saw nothing to laugh at in the situation, which to her eyes appeared very serious. When she left Mrs. Lynde s she took her way across the crusted fields to Orchard Slope. Diana met her at the kitchen door. "Your Aunt Josephine was very cross about it, wasn t she?" whispered Anne. "Yes," answered Diana, stifling a giggle with an apprehensive glance over her shoulder at the closed sitting-room door. "She was fairly dancing with rage, Anne. Oh, how she scolded. She said I was the worst-behaved girl she ever saw and that my parents ought to be ashamed of the way they had brought me up. She says she won t stay and I m sure I don t care. But Father and Mother do." "Why didn t you tell them it was my fault?" demanded Anne. "It s likely I d do such a thing, isn t it?" said Diana with just scorn. "I m no telltale, Anne Shirley, and anyhow I was just as much to blame as you." "Well, I m going in to tell her myself," said Anne resolutely. Diana stared. "Anne Shirley, you d never! why--she ll eat you alive!" "Don t frighten me any more than I am frightened," implored Anne. "I d rather walk up to a cannon s mouth. But I ve got to do it, Diana. It was my fault and I ve got to confess. I ve had practice in confessing, fortunately." "Well, she s in the room," said Diana. "You can go in if you want to. I wouldn t dare. And I don t believe you ll do a bit of good." With this encouragement Anne bearded the lion in its den--that is to say, walked resolutely up to the sitting-room door and knocked faintly. A sharp "Come in" followed. Miss Josephine Barry, thin, prim, and rigid, was knitting fiercely by the fire, her wrath quite unappeased and her eyes snapping through her gold-rimmed glasses. She wheeled around in her chair, expecting to see Diana, and beheld a white-faced girl whose great eyes were brimmed up with a mixture of desperate courage and shrinking terror. "Who are you?" demanded Miss Josephine Barry, without ceremony. "I m Anne of Green Gables," said the small visitor tremulously, clasping her hands with her characteristic gesture, "and I ve come to confess, if you please." "Confess what?" "That it was all my fault about jumping into bed on you last night. I suggested it. Diana would never have thought of such a thing, I am sure. Diana is a very ladylike girl, Miss Barry. So you must see how unjust it is to blame her." "Oh, I must, hey? I rather think Diana did her share of the jumping at least. Such carryings on in a respectable house!" "But we were only in fun," persisted Anne. "I think you ought to forgive us, Miss Barry, now that we ve apologized. And anyhow, please forgive Diana and let her have her music lessons. Diana s heart is set on her music lessons, Miss Barry, and I know too well what it is to set your heart on a thing and not get it. If you must be cross with anyone, be cross with me. I ve been so used in my early days to having people cross at me that I can endure it much better than Diana can." Much of the snap had gone out of the old lady s eyes by this time and was replaced by a twinkle of amused interest. But she still said severely "I don t think it is any excuse for you that you were only in fun. Little girls never indulged in that kind of fun when I was young. You don t know what it is to be awakened out of a sound sleep, after a long and arduous journey, by two great girls coming bounce down on you." "I don t KNOW, but I can IMAGINE," said Anne eagerly. "I m sure it must have been very disturbing. But then, there is our side of it too. Have you any imagination, Miss Barry? If you have, just put yourself in our place. We didn t know there was anybody in that bed and you nearly scared us to death. It was simply awful the way we felt. And then we couldn t sleep in the spare room after being promised. I suppose you are used to sleeping in spare rooms. But just imagine what you would feel like if you were a little orphan girl who had never had such an honor." All the snap had gone by this time. Miss Barry actually laughed--a sound which caused Diana, waiting in speechless anxiety in the kitchen outside, to give a great gasp of relief. "I m afraid my imagination is a little rusty--it s so long since I used it," she said. "I dare say your claim to sympathy is just as strong as mine. It all depends on the way we look at it. Sit down here and tell me about yourself." "I am very sorry I can t," said Anne firmly. "I would like to, because you seem like an interesting lady, and you might even be a kindred spirit although you don t look very much like it. But it is my duty to go home to Miss Marilla Cuthbert. Miss Marilla Cuthbert is a very kind lady who has taken me to bring up properly. She is doing her best, but it is very discouraging work. You must not blame her because I jumped on the bed. But before I go I do wish you would tell me if you will forgive Diana and stay just as long as you meant to in Avonlea." "I think perhaps I will if you will come over and talk to me occasionally," said Miss Barry. That evening Miss Barry gave Diana a silver bangle bracelet and told the senior members of the household that she had unpacked her valise. "I ve made up my mind to stay simply for the sake of getting better acquainted with that Anne-girl," she said frankly. "She amuses me, and at my time of life an amusing person is a rarity." Marilla s only comment when she heard the story was, "I told you so." This was for Matthew s benefit. Miss Barry stayed her month out and over. She was a more agreeable guest than usual, for Anne kept her in good humor. They became firm friends. When Miss Barry went away she said "Remember, you Anne-girl, when you come to town you re to visit me and I ll put you in my very sparest spare-room bed to sleep." "Miss Barry was a kindred spirit, after all," Anne confided to Marilla. "You wouldn t think so to look at her, but she is. You don t find it right out at first, as in Matthew s case, but after a while you come to see it. Kindred spirits are not so scarce as I used to think. It s splendid to find out there are so many of them in the world." CHAPTER XVIII UP CHAPTER XX 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 22 55 (Tue)
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For novices in forex trade, identifying Forex signals could be related to searching for a pin in an extremely huge haystack. Visualize having to gaze at unstable Forex currency ratings each hour and attempting to decode some trace of meaning from the combinations only to discover that the ratings have altered, all over again. In Forex Trading, investors need to recognize familiar "signals" or movement patterns which may indicate perfect opportunities for trading. Forex automated trading service providers now offer trading tools which can aid individuals perform basic spot tasks. One of these automated tools is the Forex Signal Generator. What is a Forex Signal Generator? A Forex Signal Generator is an important component in Forex Automated Trading. This is a kind of software which is created to supplement internet Forex Trading Platforms and Forex Expert Advisors (EA). Forex EAs react to indications or Forex signals which are signs on the basis of certain currency rating patterns in the Forex market. These signals decide the direction which Forex EAs follow that is, should the Forex EA advice or decide to purchase this currency or not? Forex EAs are algorithm programmed that are meant to respond to common Forex marketing activities. Forex signals can be identified by top-class human Forex experts who have been sufficiently subjected to the trade movements. A novice who s trying to endure the competition in Forex trading might be bewildered to the whole "dance" of mathematical figures. Forex EAs are built to recognize a few Forex signals which will point to perfect trading chances. For the Forex EA to function, though, these Forex signals must be put into its system/program. Again, exceptionally good and experienced Forex investors will find it relatively easy to interpret market behavior and discover efficient Forex signals. Nevertheless, a novice might not know how to discover any efficient Forex signal for a long period. To buffer losses caused by inexperience, a newbie investor will prefer to avail of a Forex signal generator while s/he is still trying to get the hang of Forex trading. This can allow him to fare better in the tight competition of the Forex scene. Where can one get a good quality Forex Signal Generator? The Forex Signal generators are generally provided by the same providers which build Forex EAs and manage Forex online platforms. It s advisable to get your Forex signal generators from the same company that provides your platform and EA to ensure that they are all compatible with each other. Popular Forex signal generators are also evaluated in majority of the online forums. It s useful to go to such forums to make sure that the Forex signal generator you are intending to utilize is good. Newbie investors and companies need to be very careful with black box Forex generators and EAs which abound the market. Scammers are only too quick to ride the bandwagon of Forex Automated Trading. Purchase your Forex signal generators from trustworthy Automated Forex Trading Service providers. It s also good to have at least sufficient, fundamental understanding on Forex trading prior to doing any sort of investment. Think of Automated Forex Trading programs as mere tools to ease the basic tasks of trading. They should, in no way, be considered complete supplements to human trading, analytical and research skills.
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Meier-Audio CORDA 3MOVE 2MOVE、XXS、HEADSIXに存在したプラグ緩みの問題（ジャックがフロントパネル面より奥まっていることに由来する問題）は、3MOVEで解消したとの報告。 Part21スレ608氏 おれの３MOVEはジャックなんの問題もないよ。 １０pro ストレート HD25-1L字で使っていて抜けたり緩んだことない。 ２MOVEはジャックの先端がフェイスプレートの奥にあったんだっけ？ ３MOVEのジャックはフェイスプレートより前に来ている。
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I ve got a never ending love for you From now on that s all I want to do From the first time we met I know I ve had a never ending love for you After all this time of being alone We can love one another Smile for each other from now on feel so good I can hardly stand it
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｢Delbimaira there Confine Cu in oubliette with Gale Let s make it have a hard time later｣ Genesis said. ???Oubliette? Provide."That ･･･ Is it safe?" Cu by which Lobo from whom the body weakened had been hanging on considerably heard it. "Every thing to have hung on here is it was possible to go out" Gale said. Lobo who introduced oneself as "‥ My name is a hex ･･･ It is a total commander of the angel army Gelnia corps" hex said. ｢｢Hex. ?｣｣ Cu and Gale raised the voice. Get..why..hex..now..Genesis..introduce oneself..say. "When it was Genesis ･･･ Was the guy does take the shape of me and acting? ･･･ The angel army in this ･･･ already" The hex said. "To our regret, angel army Gelnia and the Gald corps were annihilated" Cu said. "Guys were carrying out the certain Dego invasion operation" hex said. "････ Surely ･･･ Genesis" Cu said. "Please did you do?" hex said. "My parents because of the guy" Cu shouted it. "You are integral. "Cu released the transformation so momentarily of listening from the hex. Penguin. The hex heard it. ｢It understands It is ..killing.. penguin. ..unpleasantness.. however now, and a true enemy is a satan army the angel army of parents when it is penguin s of me Cu small. ｣ Cu said. ｢Do you revenge it on the satan army?Let s go to same. ｣ Immediately after Gale s having said that Cuiiiiin Gale..transform..surprise..say..originally..appearance..Gale..say. "If so, I will also lend power. "An iris wing has come out from the back ..the hex s saying.. at the same time. However, the wing differed and shone greatly and terribly with the hex of the pretender who had seen the first first. ???Dorpis mountain? Zgogogogogogogogo ｢What commotion is it??｣ Genesis said. "It is an oubliette. " Delbimaira said. ???Oubliette? The fragment of Potopot and ice has dropped from the ceiling. Cu fired the Raje bazooka and the prison was destroyed. "It is possible to go out by this. " After a few minutes "" Coming Delbimaira applies the gun to the turn face quickly ..falling.. by Cu behind Delbimaira after immediately after having said and to the scout ..reducing.. .... quietly. "Put it together on the angel army so that it is not found by Genesis. " "Furnace that calmed down because it was able to do such a thing" Delbimaira said. ｢Keep quiet. I will otherwise shoot it. ｣ Cu ordered it. What Delbimaira meant was heard with bad grace. ???Dorpis mountain? "It was going to be able to meet the angel army if going to the other side" Delbimaira said. " ..".. Cu said. Immediately after that and It heard a shot. And, the head became asunder, and Delbimaira that guided it was exhausted. "The guy who was the enemy ..danger.. doesn t have his body ..there was a guy whom and Jo disregarded.." Genesis said. "Apparently, the companion might be not able to be called" Cu said. "Fight" hex said. "Go" Gale said. And, Gale, the hex, and Cu were thrown in to Genesis. ??????Chapter 1 Completion